Colombian Designer Liseth Ramirez on Rural Spaces, City Heritage, and Social Impact
Liseth Ramirez, a Colombian designer and recent graduate, advocates for social and environmental causes. She is a Fundación Cerros de Bogotá Volunteer, and a co-leader in events like "Women Building the City" and "Latin American Social Workshop, Weaving Landscapes 2022" with young students.
Liseth was honored with the CPNAA "Promoter of Associativity" award as a Student Group CESCA National Coordinator, and she excels in global and collaborative contests. Her thesis gained recognition from the Latin American Landscape Initiative (LALI) and Canadian universities. Currently, she is part of David Delgado Arquitectos.
JG: Why did you decide to study architecture?
LR: I was initially drawn to the world of architecture due to my deep-rooted interests in landscaping, museography, and cultural events, which I had been curious about since my school days. I found myself captivated by the workings of spaces such as theaters and libraries, as well as the broader aspects of urban planning, mobility, parks, and their connections to nature. Interestingly, I hadn't initially connected these interests to a specific fascination with architecture. My initial career aspirations leaned toward fields like social communication or even anthropology.
However, it was during the formative years of my high school education, specifically during the last two years, that these interests played a crucial role in my development within collective environments. During this period, my enthusiasm for participatory architecture and territorial research in both rural and urban settings began to grow. During this time, I also truly began to fall in love with the diverse branches of architecture, largely thanks to the guidance and inspiration provided by Viviana Botache, my dedicated teacher and the director of the specialized emphasis program. Her mentorship and expertise played a pivotal role in shaping my path towards a career in architecture.
What was the most significant project to you that you worked on in architecture school?
The most impactful projects for me during my time in architecture school were those related to rural and public spaces, particularly communal facilities. However, in terms of depth and personal significance, my thesis project stood out. Additionally, while my interests in landscape architecture and communal projects, often referred to as social architecture — although all architecture is inherently social —were beginning to solidify, this project helped me realize that this is the architectural path I want to pursue.
My thesis project was titled "Harmonization Nodes and Mhuysqa Indigenous Memory, Socioecological Care Corridor in Suesca, Cundinamarca.” In response to the challenges, I proposed an architectural and landscape design for a harmonization node, which served as an indigenous shelter. It included houses, tourist cabins, viewpoints, and facilities divided into two categories. The first category aimed to provide safe spaces for communities, prioritizing care, especially for women and children. The second category focused on tourism and nature research.
This project was significant to me not only because of its architectural and cultural aspects but also because it allowed me to explore the gender perspective in a rural context. I examined not only how architecture could address specific needs but also appreciated how women could come together to build a community, particularly through activities like weaving, but in a lot of different ways.
What are some of the initiatives you’ve focused on, and why?
I've co-led initiatives like "Women Building the City" and "Latin American Social Workshop, Weaving Landscapes 2022." Collaborating with students enables us to explore diverse perspectives and create holistic designs, fostering engagement and social impact. Additionally, these initiatives have allowed me to continually expand my knowledge and stay connected with emerging talent in the field, aligning with my passion for responsible architecture and community development.
For me, it's crucial to come together not only within the architecture community but also to collaborate with other disciplines and professions to create more comprehensive projects. This perspective has led me to participate in various initiatives, primarily through volunteer work, as well as within the university through research groups focused on social, urban, environmental, and habitat-related topics. I have co-created courses like "Urban Nature: Naturalizing Urban Living," emphasizing nature-based solutions.
In the realm of volunteering, I've been actively involved with the Cerros de Bogotá Foundation because I believe in their mission to preserve this vital city heritage, engage in ecological restoration, educate, facilitate dialogues, and map the developments within this extensive territory. This cause has brought significant personal and professional growth to my life. I've also taken a leadership role within the Student Collective of the Colombian Society of Architects, where I've facilitated cross-regional collaboration, uniting students to create impactful projects, fostered interdisciplinarity, and promoted best practices. Finally, I am a member of "Arquitectas Colombianas," an organization dedicated to promoting the memory, contributions, and activities of women in architecture and design. This initiative is driven by many women but primarily spearheaded by Ana María Pinzón.
When applying for and thinking about internships, what are you looking for in an architectural company?
A company that places a high value on innovation, sustainability, and community engagement. It's crucial for me to work in an environment that not only allows but actively encourages continuous learning and mentorship opportunities, a company that offers exposure to a diverse range of projects, as this would help me broaden my architectural skill set and gain a more comprehensive understanding of the field.
Moreover, during my academic journey, I observed how the normalization of dehumanization among architecture students and professionals can be detrimental. Therefore, I highly value being in a workplace that fosters a healthy work-life balance. This means allowing individuals to pursue other passions, whether related to architecture or not, while prioritizing mental health and quality time with family and friends. I believe in a workplace that values people holistically, nurturing both technical and soft skills, and providing opportunities for personal growth and skill development. Ultimately, a company where ethics are paramount, where doing the right thing is not just a choice but a fundamental principle.
What do you hope to do in your career in general?
In my career, I aim to explore various facets of architecture and urban planning, given my youthful perspective. I aspire to discover my true passion and where I can make the most meaningful impact. My interests gravitate towards urbanism, territorial planning, landscaping, social housing projects, urban amenities, and governance.
I have a strong desire to choose the areas that resonate with me the most and where I feel I can make a substantial contribution. Additionally, I would like to stay constantly engaged with my work in these initiatives dedicated to the common well-being of both humans and the environment.
Furthermore, I aspire to establish a foundation in the future focused on addressing well-being for all and the preservation of nature. In summary, my career goal is to have a positive impact on society and the environment through architecture and urban planning, while also seeking opportunities for learning, teaching, community service, and governance-related pursuits.
What have you learned in the last six months?
In the past six months, I've had the opportunity to gain a diverse range of experiences. I've been involved in projects of various scales, which have provided me with a broad perspective on the possibilities within the field of architecture. Additionally, I've been a part of the support team for the Cerros Foundation in two scholarships with the District Institute of Cultural Heritage of Bogotá. These experiences have allowed me to learn about the intangible heritage of the city, community perspectives in the construction of identity, and self-managed participatory processes.
Furthermore, I've spent time exploring the mountains surrounding my city with my family, delving into the history related to the Sabana de Bogotá. This has enriched my perspective and deepened my understanding of nature, native flora and fauna species, restoration efforts, and the importance of nature-based solutions. I've also been exploring the revival of ancestral knowledge to address current and future challenges.
Who do you look up to? Both in terms of women in architecture, and in general.
In terms of women in architecture, I am inspired by a diverse group of individuals and collectives. It's challenging to single out just one person because I admire the unique contributions, resilience, and determination of many women in the field. Instead, I find inspiration in the collective efforts of women who have made significant strides in architecture. Some of the women I hold in high regard include my friends Maria del Mar C., Paula E., Camila M., Maria Camila E., Elizabeth G., Susana Q., Juliana B., Juliana C, Valeria G., Erika C., Diana B, Diana R, all of whom are impressive architects and students with a remarkable drive.
I also look up to my mother, who is an incredible, strong, intelligent, and wise woman, Ana María Pinzón and the members of "Arquitectas Colombianas" have been key in promoting women in architecture in Colombia. Diana Wiesner holds a special place in my admiration. I am profoundly grateful to her for opening the doors to the world of landscape architecture and for being a mentor not only in the professional sense but also in matters of volunteerism and life. Sandra Flechas, the creator of the "Congreso Architecture, Woman and Sustainability" and international and national figures like Denise Scott Brown, Carme Pigem, Frida Escobedo, Maria Inés Garcia R, Erika Ayala, Silvia Maria Mendoza, Martha Fajardo, Monica Sánchez B, Gislenne Zamayoa, Ana María Estrada, Francesca Perani, Juliana López Marulanda, Marie Combette, Lucía Garzón, Ana Falú, Zaida Muxi, Ines Moisset, Colectiu Punt 6, and the women of Al Cuadrado Arquitectos, all contribute significantly to the field.
What advice would you give to those interested in studying architecture? Or those just starting their architectural education?
Embrace curiosity and a willingness to learn. Architecture is a dynamic field that combines creativity and technical skills. For those interested in studying architecture or just starting their architectural education, I would advise them to engage in diverse experiences, challenge themselves, and seek out mentors who can guide their growth. Be like a sponge, absorbing knowledge from everything you see, but don't hesitate to question it. Be open to change, engage in dialogue, and strive to make your projects holistic and comprehensive, considering various aspects and perspectives.
Additionally, appreciate the sense of community and the value of learning from your peers. Embrace collaborative learning and draw inspiration not only from textbooks but also from the city, nature, and the people around you. And never hesitate to share the knowledge you acquire with others, as it not only enriches your understanding but also contributes to the collective growth of the architectural community.